Examines the history and theory of photography and the relationship of photography to the other arts, as well as to literary, political, social and philosophical issues. Analyzes the critical issues that inform photography through the writings of critics, historians, and photographers using both thematic and chronological approaches. Requisites: Requires prerequisite courses of ARTH 1300, 1400 and one 3000-level ARTH course (minimum grade D-).
Introduces current Degas studies and research methods by drawing upon recent books, exhibition catalogues, and scholarly journal articles. Fulfills requirement for ARTH 4919, Capstone Seminar.
Introduces current Manet studies and research methods by drawing upon recent books, exhibition catalogues, and scholarly journal articles. Fulfills requirement for ARTH 4919, Capstone Seminar.
Fosters creative study of the background and foundation in modern art. Considers 19th-century European painting and, to a lesser degree, sculpture, in relation to social, cultural, and political history from 1863 to 1900. Focuses on France, but gives attention to other countries as well.
Fosters creative study of the background and foundation of modern art. Considers 19th-century European (and, to a lesser degree, American) painting and sculpture in relation to social, cultural, and political history from 1789 (the French Revolution) to 1863 (the Salon des refuses). Focuses on France, but gives attention to other countries as well.
Introduces current Post-Impressionism studies and research methods by drawing upon recent books, exhibition catalogues, and scholarly journal articles.
Studies contemporary critiques of historical ideas about the twin institutions of the university and the museum and the role of art history in the cultural mission of both. Explores fundamental questions about the role of art in society through weekly discussions of readings, a class presentation, and final research. Fulfills ARTH 4919 capstone seminar required for art history majors. Requisites: Requires prerequisite courses of ARTH 1300, 1400, and at least one 4000-level ARTH course (all minimum grade D-).
Studies critical issues raised in the literature on art, focusing on Renaissance interpretations of key historical themes such as imitation and decorum. Carefully examines the language used in primary sources (available in English). Requisites: Requires prerequisite of one 3000-level ARTH course (minimum grade D-).
Addresses how artists developed new compositional procedures, graphic techniques, and audiences, and how these procedures were theorized in an age when artists' intellectual and social status rose dramatically. Explores reception of new graphic technology. Studies specific commissions and primary texts in depth. Same as ARTH 5749. Requisites: Requires prerequisite of one 3000-level ARTH course (minimum grade D-).
Examines 15th and 16th century European ideas about women from a variety of feminist perspectives. Focuses on recent contributions to history of women as they intersect with the visual arts. Same as WMST 4769. Approved for arts and sciences core curriculum: human diversity. Requisites: Requires prerequisite of one 3000-level ARTH course (minimum grade D-).
Reflects upon the question: In what sense were the regional variants of European devotional images the effects of meaningful cultural interaction? Evidence considered includes oral traditions, pueblo pottery, and painting, emphasizing interpretations that respect rights of communities to maintain privacy. Same as ARTH 5779. Requisites: Requires prerequisite courses of ARTH 1300, 1400 and one 3000-level ARTH course (minimum grade D-).
Seminar course dealing with selected areas or problems within the history of art. Consult current online Schedule Planner for seminar topic. May be repeated up to 7 total credit hours. Requisites: Restricted to Art History (AAAH) majors only.
Focuses on opportunities at the Denver Art Museum, working with individual curators and master teachers in selected areas, such as audience interpretation, interpretive research files, and public school curriculums. Introduces students to the professional culture and activities of art museums. May be repeated up to 6 total credit hours. Same as ARTH 5939. Requisites: Requires prerequisite courses of ARTH 1300 and 1400 (all minimum grade D-).
May be elected during the final semester. Consists of a substantial, original written thesis. Requires faculty sponsorship. Does not guarantee a student will receive honors.
Learn to expertly navigate art scholarship and be prepared to do thesis-level research. This course is an introduction to the vast array of art historical resources and their uses. Explore advanced techniques for searching both online and offline sources of art information. Master the various modes of art historical research, including finding iconographic, historical, or technical information. Same as LIBR/ARTH 4029. Requisites: Restricted to graduate students only.
Examines art and archaeology from the period following the death of Alexander the Great (late fourth century B.C.E.) to the conquest of Greece by the Romans (middle second century B.C.E.). Same as CLAS 5159. Requisites: Restricted to graduate students only.
Explores in detail the buildings, sculptures, pots, foreign imports, and society of Athens, considering material culture of individuals as much as civic programs. Emphasis is on ways the textual and archaeological evidence complement and/or contradict one another. The course focuses on the Periklean period, considering ways in which it developed from earlier times and influenced later ones in Athens. Same as CLAS 5179.
Explores in detail the architecture, sculptures, coins, frescos, and other material evidence alongside the political and social history of Augustan Rome. Emphasis is on ways in which the textual and archaeological evidence complement and/or contradict one another. Will explore the impact of the early imperial period on later Roman phases of urban design and image making in the capital city. Same as CLAS 5189. Requisites: Restricted to graduate students only.
