Examines Russian plays of the 20th and 21st centuries (from Chekhov to contemporary authors) in the context of the Western theatre theory. Through the analysis of plays and their theatrical/filmic productions, students will familiarize themselves with main genres of modern drama and most influential directorial styesl from Stanislavsky's "method" to contemporary verbatim theatre. All readings are in English. Recommended prereq., RUSS 2221. Same as RUSS 5841.
Through structured discussions, selected readings, and written assignments, examines topics in Russian film from socio-historical and cultural studies perspectives. Identification and critical analysis of concepts and assumptions underlying differing cinematic approaches to controversial topics. Taught in English. Recommended prereq., RUSS 2221 or RUSS/FILM 3301. Same as RUSS 5851.
Studies themes of grotesque, bizarre, surreal, absurd, supernatural, and fantastic in Russian short stories and novels of the 19th and 20th centuries. Discusses works by Pushkin, Gogol, Dostoevsky, Kharms, Bulgakov, Siniavskii, Petrushevskaia, and Pelevin, within contexts of Russian folklore, Freud and Jung's interpretations of jokes and dreams, and Romanticism. Taught in English. Recommended prereq., one lower level literature or culture course. Same as RUSS 5861.
Examines the Russian novel and its evolution as well as Western and Russian theories of the novel as they engage and reflect upon the claims of modernity. Taught in English. May be repeated up to 6 total credit hours. Same as COML 5352. Formerly GSLL 5352. Requisites: Restricted to graduate students only.
Focuses on close reading of major novels and other works by Dostoevsky, one of the most important psychological novelists in modern literature, a profound religious thinker, and the greatest crime novelist in the world. Taught in English. Same as RUSS 4431. Formerly GSLL 5431. Requisites: Restricted to graduate students only.
Examines the development of Tolstoy's thought and literary style through study of the novel War and Peace and short works from different periods of Tolstoy's writing. Taught in English. Same as RUSS 4441. Formerly GSLL 5441. Requisites: Restricted to graduate students only.
Analyzes the life and creative works of the author of some of the funniest and some of the gloomiest stories in Russian literature. Examines Chekhov's major plays that laid the foundation for modernist theatre. Taught in English. Same as RUSS 4451. Formerly GSLL 5451. Requisites: Restricted to graduate students only.
Examines issues facing women in 20th-21st century Russia, based on study of current events, history, literature, posters and film. Studies images of women as amazons and rebels, salon hostesses and poets, New Soviet Women and women in combat, prostitutes and mothers. Taught in English. Same as RUSS 4471 and WMST 4471. Formerly GSLL 5471. Requisites: Restricted to graduate students only.
Explores the tradition of dissent and opposition in Russian culture, from the medieval period to present, approaching forms of rebellion (religious, political, social, aesthetic) in historical context. This survey in intellectual history will trace this phenomenon across historical documents, literary texts, film, and the fine and performing arts, pairing these primary materials with readings in Russian history. Taught in English. Same as RUSS 4481. Formerly GSLL 5481. Requisites: Restricted to graduate students only.
May be repeated up to 6 total credit hours. Taught in English. Same as COML 5830. Formerly GSLL 5830. Requisites: Restricted to graduate students only.
Examines Russian plays of the 20th and 21st centuries (from Chekhov to contemporary authors) in the context of the Western theatre theory. Through the analysis of plays and their theatrical/filmic productions, students will familiarize themselves with main genres of modern drama and most influential directorial styesl from Stanislavsky's "method" to contemporary verbatim theatre. All readings are in English. Recommended prereq., RUSS 2221. Same as RUSS 4841. Formerly GSLL 5841. Requisites: Restricted to graduate students only.
Through structured discussions, selected readings, and written assignments, examines topics in Russian film from socio-historical and cultural studies perspectives. Identification and critical analysis of concepts and assumptions underlying differing cinematic approaches to controversial topics. Taught in English. Same as RUSS 4851. Formerly GSLL 5851. Requisites: Restricted to graduate students only.
Studies themes of grotesque, bizarre, surreal, absurd, supernatural, and fantastic in Russian short stories and novels of the 19th and 20th centuries. Discusses works by Pushkin, Gogol, Dostoevsky, Kharms, Bulgakov, Siniavskii, Petrushevskaia, and Pelevin, within contexts of Russian folklore, Freud and Jung's interpretations of jokes and dreams, and Romanticism. Recommended prereq., one upper division humanities course. Taught in English. Same as RUSS 4861. Formerly GSLL 5861. Requisites: Restricted to graduate students only.
