Continues the exploration of the possibility of individual photographic expression. Students are encouraged to discover and develop a personal position in relation to the medium. May be repeated up to 6 total credit hours. Requisites: Requires prerequisite course of ARTS 2191 (minimum grade D-). Restricted to Studio Arts (AASA or AASF) or Art History (AAAH) majors only.
Introduces techniques, software, and related concepts of digital photography as art. Emphasizes digital photography as a means to formal and expressive ends. Requisites: Requires prerequisite course of ARTS 1171 (minimum grade D-).
Continuation of Painting 2. Offers creative possibilities in painting and related media. Emphasizes experimentation and individual expression. Content varies by semester according to instructor Requisites: contact individual instructor for more information. May be repeated up to 6 total credit hours.
Studies the rising status of painting, sculpture, and architecture in Europe and how Europeans perceived non-Western art during the early modern period. Introduces history of race/ethnicity, gender, and class concerns embodied in the European category visual arts. Emphasizes new methods for interpreting history without imposing Eurocentric viewpoints. Approved for arts and sciences core curriculum: human diversity. Requisites: Requires prerequisite courses of ARTH 1300 and 1400 (all minimum grade D-). Restricted to Studio Arts (AASA or AASF) or Art History (AAAH) majors only.
Surveys the development and spread of humanist culture associated with the modern term "Renaissance Art" from c. 1400-1600, organized by location, artist, and patron. Presents significant works of paintings, sculpture and architecture at a number of major artistic centers including Florence, Rome, Venice, Fontainebleau, and Prague. Requisites: Requires prerequisite course of ARTH 1300 or 1400 (minimum grade D-).
Explores the many ways photography and other forms of imagery have been utilized in the field of sculpture. In this course, students will start from the sculptural, but those objects and installations will function as an intermediary to creating final work that will rest in the image. This course will include lectures, readings and discussions, writing assignments, studio projects, and visual presentations. Recommended prereqs., ARTS 2504 and 2524. Requisites: Requires prerequisite courses of ARTS 1010 and 1020 (all minimum grade D-).
Explores the development of video as an art form through tape screenings, readings, lectures, and discussions. Prerequisite for further studies in video production.
Continued exploration of relief processes: various techniques of the collage process in combination with the art and process of the collograph. Examining the collage aesthetic, creating collages and collograph prints from found materials and objects. Other skills to be focused on include registration methods, blend rolls and the experimentation with rubbings. Requisites: Requires prerequisite courses of ARTS 1010, 1020 and 2303 (all minimum grade D-).
Covers major art movements and theories in France from 1793 to 1870 on location in Paris. Students study ceramics, painting, sculpture, photography and some architecture. Political and cultural events are considered for their influence on art: excavations at Pompeii, colonial expansion in Middle East and Africa, influx of Asian art, exploration of Americas and various technical inventions. Recommended prereqs., ARTH 1300, and a recommended restriction of second semester sophomore, junior or senior standing.
Covers major art movements and theories in France from the Paris Commune through 1970 on location in Paris. Students study ceramics, painting, sculpture, photography and some architecture. Political and cultural events are considered for their influence on art: excavations at Pompeii, colonial expansion in Middle East and Africa, influx of Asian art, exploration of Americas and various technical inventions. Recommended prereq., ARTH 1300, and a recommended restriction of second semester sophomore, junior or senior standing.
Focuses on the production of works of art in wood. Class projects explore building, bending, and burning with wood. This course primarily focuses on sculptural constructed objects although possibilities of installation, site-specific, and public art will also be explored. Recommended prereqs., ARTS 2504 and 2524. Requisites: Requires prerequisite courses of ARTS 1010 and 1020 (all minimum grade D-).
Explores the scope of Goya's works in context of his contemporaries and antecedent, Velazquez; Moorish influences, genre painting costumbrismo, Romanticism and historical narratives are considered in relation to Enlightenment ideals, French Neoclassicism, Romanticism, Orientalism and the Napoleonic invasion. Teaching occurs mostly on site: Alhambra, Prado, Bellas Artes, Palacio Real, Museo de Romanticismo; seminars and tests are in Madrid classrooms. Recommended prereq., ARTH 1300.
Covers Gaudi, Picasso and artists of Modernismo movement as well as Dali are studied in Barcelona; Dada and Surrealism are explored through works of Picasso, Gonzalez, Gris, Varo, Dali, Bunuel and others. Photography and film of Spanish Civil War and thereafter are studied in seminar in Madrid classroom; students experience flamenco performances and Q&A with performers. Tests administered in class. Recommended prereq., ARTH 1300.
Focuses on creating sculpture projects which are ephemeral and temporary. Themes of process, lifespan, migration, tension, entropy, and degradation will be explored. This course will include lectures, readings and discussions, writing assignments, studio projects, and visual presentations. Recommended prereqs., ARTS 2504 and 2524. Requisites: Requires prerequisite courses of ARTS 1010 and 1020 (all minimum grade D-).
Exploration into techniques of Intaglio with a focus on working with copper and ferric chloride. Historical approaches and use through contemporary materials and concepts. Emphasis is placed on mastering basic techniques, creating compositions and visual images, and exploring and developing concepts that challenge the viewer. Requisites: Requires prerequisite courses of ARTS 1010, 1020 and 2403 (all minimum grade D-). Restricted to Studio Arts (AASA or AASF) or Art History (AAAH) majors only.
Introduces the study of stone and metal plate lithography, emphasizing individual creative development in black and white and further development in color printing processes. May be repeated up to 6 total credit hours. Not available to freshmen. Taught with ARTS 4413/5413. Requisites: Restricted to Studio Arts (AASA or AASF) or Art History (AAAH) majors only.
Surveys the loss of beauty in art and discusses whether or not that loss is regrettable. Questions the function and historical meaning of modern and postmodern art: is it all hype and strategic positioning by artists for fame and fortune? Is it serious? Are the fine arts still fine? Requisites: Requires prerequisite courses of ARTH 1300 and 1400 (all minimum grade D-).
Introduces the study of silkscreen techniques, emphasizing creativity, individual development, and experimentation in contemporary silkscreen processes. May be repeated up to 6 total credit hours. Requisites: Restricted to students with 27-180 credits (Sophomores, Juniors or Seniors) Studio Arts (AASA or AASF) or Art History (AAAH) majors only.
Continued exploration into the development of alternative techniques and materials, methods of extending the print beyond 2-dimensions, and expanding the concept of what is a print will be explored in relation to each student's studio practice and interests. Requisites: Requires prerequisite courses of ARTS 1010, 1020 and 2433 (all minimum grade D-).
Covers both historical background and hands on projects that are collaborative in nature. Includes lectures, readings and discussions, writing assignments, studio projects and visual presentations. Recommended prereqs., ARTS 2504 and 2524. Requisites: Requires prerequisite courses of ARTS 1010 and 1020 (all minimum grade D-).
A continued exploration in the monoprint and monotype methods. Use of a varied grouping of matrixes will be the focus of this class. Students will develop a portfolio of finished prints during the semester. Requisites: Requires prerequisite courses of ARTS 1010, 1020, and 2453 (all minimum grade D-).
Explores materials, methods, and techniques through a series of assignments emphasizing individual ideas and their relationship to contemporary aesthetics. Requisites: Requires prerequisite courses of ARTS 2504 and 2524 (all minimum grade D-). Restricted to Studio Arts (AASA or AASF) or Art History (AAAH) majors only.
Surveys American art and material culture from the precolonial era to the present day. Considers cultural and artistic interaction, ethnic expressions, patronage, European and non-Western influences, and the struggle to develop a uniquely American artistic identity. Approved for arts and sciences core curriculum: United States context. Requisites: Requires prerequisite courses of ARTH 1300 and 1400 (all minimum grade D-).
Explores individual concepts and ideas and their relationship to contemporary issues and aesthetics. a series of assignments are worked out with the instructor based on individual interest. Requisites: Requires prerequisite course of ARTS 3504 (minimum grade D-). Restricted to Studio Arts (AASA or AASF) or Art History (AAAH) majors only.
Introduces the major movements and developments in European and American architecture from Neoclassicism to Postmodernism. Considers the impact of exhibitions, expositions, and vernacular architecture. Requisites: Requires prerequisite courses of ARTH 1300 and 1400 (all minimum grade D-).
