Surveys the major works and authors of classical Japanese literature, both poetry and prose, from the earliest historical records and literary anthologies through the Heian period (784--1185). Taught in English. Recommended prereq., JPNS 1051. Same as JPNS 3811.
Surveys the major works, authors, and genres of literature from the late Meiji period and 20th century in their historical and cultural contexts. Attention is given to various approaches of literary analysis and interpretation. Taught in English. Recommended prereq., JPNS 1051. Same as JPNS 3841.
Offers an innovative approach to the multifaceted history of Christian-Muslim-Jewish interaction in the Mediterranean. It eschews established paradigms (e.g., Europe, Islamic world) that distort our understanding of these and pushes students to reconsider the accepted paradigms of Western history. Students will reappraise assumptions regarding the nature of ethnic, religious, national and cultural identity, and their role in human history.
Examines the political aspects of the art and literature of the information age, with a focus on conceptual practices since 1965. The course investigates political theories of art along side sculpture, performance, installation, poetry, and graphic design. Recommended requisite: HUMN 2000 or restricted to students with 57-180 credits (Junior or Senior).
Students gain academic credit and professional experience working in museums, galleries, arts administration, and publishing. They work 3-18 hours per week with their professional supervisor and meet regularly with a faculty advisor who determines the reading and writing requirements. An interview with faculty advisor is required. Requisites: Restricted to students with 57-180 credits (Juniors or Seniors).
Interdisciplinary study of literature, art, and music from 1780 to 1830 in France, England, and Germany. Requisites: Requires either prerequisite course of HUMN 2000 (minimum grade D-) or restricted to students with 57-180 credits (Junior or Senior).
Provides topic-centered analyses of controversial areas in film theory. Students read extensive materials in the topic area, analyze and summarize arguments as presented in the literature, write "Position" papers, and make oral presentations in which they elaborate their own arguments about specific assigned topics, establishing critical dialogue with the primary materials. May be repeated up to 6 total credit hours. Same as FILM 4004 and ARTF 5004. Requisites: Requires prerequisite course of FILM 3051 (minimum grade D-). Restricted to students with 87-180 credits (Senior, Fifth Year Senior) Film (FILM or FMST) or Humanities (HUMN) majors only.
Applies Freudian psychoanalysis to the films of Alfred Hitchcock. Students will familiarize themselves with the Freudian methodology by reading a number of books and essays and then apply both Freud's general ideas as well as specific texts to particular aspects, both formal and contentual, of his films. Particular attention will be given to the important field of "feminism and psychoanalysis" as it relates to the study of the role of women in Hitchcock's films. Requisites: Restricted to students with 57-180 credits (Juniors or Seniors).
Considers the method of the humanities as opposed to those of the natural and social sciences, especially in view of their respective ability or claim to predict the future and to master chance. Requisites: Requires either prerequisite course of HUMN 2000 (minimum grade D-) or restricted to students with 57-180 credits (Junior or Senior).
Examines the art of travel: not where to go and what to do, but rather philosophical concepts about why people travel. Areas of discussion will include exploration, discovery, escape, pilgrimage, the grand tour, expatriotism, exile, nomadism, armchair travel, and the sense of home. Materials will include books by travel writers, novels, films, essays, short stories, art, music, and historical documents. Requisites: Requires either prerequisite course of HUMN 2000 (minimum grade D-) or restricted to students with 57-180 credits (Junior or Senior).
Examines the representation of people with disabilities in canonical and contemporary literature and drama, and introduces students to disability theory and the history of people with disabilities.
Explores, through guided discussions, the concept of theory itself and how a theory is constructed. Emphasizes the close reading of theory in order to learn to analyze critically, considering theory as something to be thought about rather than simply applied. Requisites: Requires either prerequisite course of HUMN 2000 (minimum grade D-) or restricted to students with 57-180 credits (Junior or Senior).
Interdisciplinary study of English fiction and poetry together with related movements in visual arts. Requisites: Requires either prerequisite course of HUMN 2000 (minimum grade D-) or restricted to students with 57-180 credits (Junior or Senior).
Students should check with the department for specific semester offerings. May be repeated up to 9 total credit hours, provided the specific offerings vary. Requisites: Requires either prerequisite course of HUMN 2000 (minimum grade D-) or restricted to students with 57-180 credits (Junior or Senior).
Students should check with the department for specific semester offerings. May be repeated up to 9 total credit hours, provided the specific offerings vary. Requisites: Requires either prerequisite course of HUMN 2000 (minimum grade D-) or restricted to students with 57-180 credits (Junior or Senior).
Examines the history and implications of the central role played by writing in pre-modern China, especially with regard to traditional constructions of the world, including relations with aesthetics, the non-human, and the spiritual. Key works of Chinese literature and thought from different periods are studied, with the aim of determining a particular type of Chinese humanism. All readings in English. Recommended prereqs., HUMN 1010 and/or 1020. Requisites: Restricted to students with 57-180 credits (Juniors or Seniors).
Students read in English translation the major epics of Greco-Roman antiquity such as the Iliad, Odyssey, Argonautica, Aeneid, and Metamorphoses. Topics discussed may include the nature of classical epic, its relation to the novel, and its legacy. No Greek or Latin required. Same as CLAS 4110. Approved for arts and sciences core curriculum: literature and the arts.
Examines the legacy of the historical avant-garde (1910-1930) in postwar and contemporary culture: 1945 to the present. We will study the construction of a "neo-avant-garde" in diverse fields (art, film, philosophy) as well as the methodology of "social art history" which, like the artistic neo-avant-garde, critically analyzes the relation between aesthetic production and global capitalism. Requisites: Requires either prerequisite course of HUMN 2000 (minimum grade D-) or restricted to students with 57-180 credits (Junior or Senior).
Intensive study of selected tragedies of Aeschylus, Sophocles, Euripides, and Seneca in English translation. No Greek or Latin required. Same as CLAS 4120. Approved for arts and sciences core curriculum: literature and the arts.
Studies Aristophanes, Plautus, and Terence in English translation. No Greek or Latin required. Same as CLAS 4130. Approved for arts and sciences core curriculum: literature and the arts.
Studies five surviving complete Greek novels from classical antiquity, three Latin novels, and their predecessors and contemporary neighbors in the genres of Greek prose fiction. Readings in English translation. Recommended prereq., a previous course in classical literature or myth. Same as CLAS 4140/5140.
Explores psychoanalytic theory as it relates to our understanding of literature, film, and other arts. After becoming familiar with some essential Freudian notions (repression, narcissism, ego/libido, dreamwork, etc.), students apply these ideas to works by several artists (e.g., Flaubert, James, Kafka, Hoffmann, and Hitchcock). Approved for arts and sciences core curriculum: literature and the arts. Requisites: Requires either prerequisite course of HUMN 2000 (minimum grade D-) or restricted to students with 57-180 credits (Junior or Senior).
Focuses on close reading of Dante's poetry with emphasis on the intellectual, religious, political, and scientific background of the medieval world. Taught in English. Same as ITAL 4140. Credit not granted for this course and ITAL 4145 or 4147. Approved for arts and sciences core curriculum: literature and the arts. Requisites: Restricted to students with 57-180 credits (Juniors or Seniors).
Analyzes the rise of realism in 13th and 14th century Italian literature and parallel manifestations in the visual arts. Focuses on Boccaccio's Decameron and contemporary realistic prose and poetry with emphasis on gender issues and medieval cultural diversity. Taught in English. Same as ITAL 4150. Approved for arts and science core curriculum: literature and the arts or human diversity. Requisites: Restricted to students with 57-180 credits (Juniors or Seniors).