Introduces students to works from the major Western literary periods (Classical, Medieval, Renaissance, Baroque) from the 8th c. BC to the early 17th c. AD comparatively, i.e., outside their national literary boundaries. Theorizes interdisciplinary, genre studies, periodization, comparativism, thematology, hermeneutics, criticism, etc. Credit not granted for this course and HUMN 1010. Approved for arts and sciences core curriculum: Literature and the Arts.
Introduces students to works from the major Western literary periods (Baroque, Enlightenment,Romanticism, Realism, Modernism) from the 17th- through the 20th-centuries comparatively, i.e., outside their national literary boundaries. Theorizes interdisciplinarity, genre studies, periodization, comparativism, thematology, hermeneutics, criticism, etc.. Credit not granted for this course and HUMN 1020. Approved for arts and sciences core curriculum: Literature and the Arts.
Examines the major artistic and musical works in the Western tradition from ancient Greece through the 16th century in their larger historical, interdisciplinary, and theoretical ("aesthetic") contexts. Credit not granted for this course and HUMN 1010. Approved for arts and sciences core curriculum: Literature and the Arts.
Examines the major artistic and musical works in the Western tradition from the 17th century to 21st-century post-modernism in their larger historical, interdisciplinary, and theoretical ("aesthetic") contexts. Credit not granted for this course and HUMN 1020. Approved for arts and sciences core curriculum: literature and the arts.
Examines the pre-Modern Mediterranean as the foundational zone of Western Humanism and culture, beginning with Classical Antiquity and through to the dawn of Modernity. Through history, art, literature and thought, it studies the region's role as the crucible of Helleno-Persian culture, Roman society, of Judaism, Christianity and Islam, the intersection of Europe, Africa and Asia in the development of Modernity.
Critically examines titles in German literature and thought. Nature and environment are used to explore alienation, artistic inspiration, nihilism, exploitation, sexuality, rural versus urban, meaning of the earth, cultural renewal, identity and gender. This "Green" survey of German classics spans Romanticism's conception of nature as unconscious spirit to the politics and values of contemporary Germany's Green party. Same as GRMN 1701. Approved for arts and sciences core curriculum: ideals and values.
Provides a transition from the introductory courses to the upper-division courses. Introduces the various technical methods and topics encountered in the department's comparative, interdisciplinary upper-division courses, including cultural studies, rhetoric, translation, hermeneutics, word/image studies, etc.
Promotes a better understanding of fundamental aesthetic and cultural issues by exploring competing definitions of art and culture. Sharpens critical and analytical abilities by asking students to read and compare different theories about arts, culture, media, and identity, and then to apply and assess those theories in relation to a selection of visual and verbal texts from a range of cultural and linguistic traditions. Approved for arts and sciences core curriculum: literature and the arts.
Introduces interrelationships in the arts of African Americans and the African American contribution to American culture as a whole. Approved for arts and sciences core curriculum: human diversity or United States context.
Exposes the students to a wide selection of Kafka's literary output and aims to define the meaning of the Kafkaesque by looking not only for traces of Kafka's influence in the verbal and visual arts, but also for traces left in Kafka's own work by his precursors in the literary tradition. Same as GRMN 2601. Approved for arts and sciences core curriculum: literature and the arts.
Students should check with the department for specific semester offerings. May be repeated up to 12 total credit hours, provided the specific offerings vary. Requisites: Requires either prerequisite course of HUMN 2000 (minimum grade D-) or restricted to students with 57-180 credits (Junior or Senior).
Students should check with the department for specific semester offerings. May be repeated up to 12 total credit hours, provided the specific offerings vary. Requisites: Requires either prerequisite course of HUMN 2000 (minimum grade D-) or restricted to students with 57-180 credits (Junior or Senior).
Surveys the range and function of film criticism, introduces major positions and concepts of film theory, and focuses on students' abilities to write about film. Same as FILM 3104. Requisites: Requires prerequisite course of FILM 1502 (minimum grade D-).
Explores the nature of sacred and secular narrative in literature, film, and the visual arts. Requisites: Requires either prerequisite course of HUMN 2000 (minimum grade D-) or restricted to students with 57-180 credits (Junior or Senior).
Explores examples of and theories about the formation and growth of the genre of detective fiction, especially in the late 19th and early 20th centuries. Explores the social conditions of the times in which the texts were written and the possible resulting influences on style. Compares the texts and theories to examples from other genres and time periods. Requisites: Requires either prerequisite course of HUMN 2000 (minimum grade D-) or restricted to students with 57-180 credits (Junior or Senior).
Explores the theatrical analogy that frames our understanding of catastrophes at sea and their literary and visual representation, paying particular attention to issues of gender, race, and sexuality, which are intentionally banned from such representations, but turn out to be their secret focus. Prereq., HUMN 2000 or junior/senior standing. Requisites: Requires either prerequisite course of HUMN 2000 (minimum grade D-) or restricted to students with 57-180 credits (Junior or Senior).
Studies some of the great tragic works of art, music,and literature from the Greeks to the 20th century. Tragic theory is invoked as an aid to interpretation. Requisites: Requires either prerequisite course of HUMN 2000 (minimum grade D-) or restricted to students with 57-180 credits (Junior or Senior).
Introduces students to the interdisciplinary field of disability studies by investigating key concepts in disability theory, disability history and culture, media representations of people with disabilities, and pertinent bioethical issues.
Focuses on the religious, cultural, philosophical, and literary aspects of ancient Chinese civilization (1500 B.C.-A.D. 200). Special attention is paid to foundational works that influenced later developments in Chinese culture. All readings are in English. Recommended prereq., EALC 1011 or CHIN 1051. Same as CHIN 3321.
Surveys 20th century Chinese literature and popular culture against the historical background of rebellion, revolution, and reform. Emphasizes close and critical reading skills and an understanding of how aesthetic texts reflect and critically engage with historical and cultural experiences. Assignments include novels, essays, short stories, poems, plays, songs, films, and scholarly articles. Taught in English. Recommended prereq., CHIN 1021 or 1051. Same as CLAS 3341. Approved for arts and sciences core curriculum: literature and the arts.
Examines Enlightenment notions of reason, humanity, and social progress. Topics include 18th century views on government, science, education, religion, slavery, and gender roles. Taught in English. Same as GRMN 3505. Approved for arts and sciences core curriculum: ideals and values.
Offers an introduction to Modernism in various media, emphasizing in particular the historical development of the visual arts from German Expressionism and Cubism to Neo-Dada and Pop Art. Readings in literature will include Proust, Beckett, Blanchot, and poets associated with various art movements. Theoretical readings range from Saussure and Freud to Adorno and Jameson. Recommend prereq., HUMN 2000. Requisites: Restricted to students with 57-180 credits (Juniors or Seniors).
Analyzes the cultural and critical practices as well as the thought that defines the postmodern period at the end of twentieth century. HUMN 3660 and FILM 3660 are the same course. Approved for arts and sciences core curriculum: literature and the arts. Requisites: Requires either prerequisite course of HUMN 2000 (minimum grade D-) or restricted to students with 57-180 credits (Junior or Senior).
Surveys the major theoretical concepts and literary genres of the Dada and Surrealist movements. Topics include Dada performance and cabaret, the manifesto, montage, the readymade, the Surrealist novel, colonialism and the avant-garde, and literary and philosophical precursors to the avant-garde. Same as GRMN 3702. Approved for arts and sciences core curriculum: literature and the arts.
Examines early 20th century German culture, with emphasis on the Weimar Republic (1918-1933) in light of contemporaneous political discussions. The course presents modern art and literature (Expressionism, Dada, Brecht's epic theater) and architecture and design (Bauhaus, Werkbund) as well as political movements of women, sexual minorities, and Berlin's Jewish communities. Taught in English. GRMN 3802 and HUMN 3802 are the same course. Offered through CU Study Abroad Program. Approved for arts and sciences core curriculum: literature and the arts.
