Introduction to German Studies, with emphasis on research methodology, theoretical approaches, coverage of major currents in German intellectual and literary history from 1750-present, and exposure to fields interrelated with German Studies. Includes training in the use of electronic databases and archives and an introduction to online publication. Required of all graduate students. Requisites: Restricted to graduate students only.
Required of all graduate teaching assistants, this course provides a knowledge of the aspects of German linguistics that are important for teaching German and a survey of foreign language teaching methods and second language acquisition research. Requisites: Restricted to graduate students only.
An introductory study of nineteenth-century German philosophy (especially Kant, Hegel, and Marx). Required course for the graduate certificate in Critical Theory. GRMN 5030 and COML 5030 are the same course. Requisites: Restricted to graduate students only.
Serves as an introduction to the "Frankfurt School" and Critical Theory with particular emphasis upon rationality, social psychology, cultural criticism, and aesthetics. Through close readings of key texts by members of the school (Horkheimer, Benjamin, Adorno, Habermas) we will work toward a critical understanding of the analytical tools they developed and consider their validity. Taught in English. GRMN 4051, 5051 and COML 5051 are the same course. Requisites: Restricted to graduate students only.
Examines the influence of the emerging middle class on the transformation of aesthetic and societal values. Major works of theory, philosophy, literature, and criticism by Lessing, Herder, Kant, J. E. Schlegel, and others. Examines major literary and cultural influences from France and Great Britain. Requisites: Restricted to graduate students only.
Examines various aspects of German-speaking society from the 1770s to 1830s. Topics may include Sturm und Drang as social commentary Requisites: romantic theory in the wake of the French Revolution
Introduces students to debates surrounding migration and race in contemporary Germany. Emphasis on reading texts in context using tools of cultural studies, integrating analyses of gender, race, nation, and sexuality. Texts may include film, literature, television, magazine images, etc. Topics include: questioning multiculturalism, self-representation, integration, Islam, citizenship, violence, public space, youth culture, racism and nationalism. Taught in English. Same as GRMN 4301 and COML 5301. Requisites: Restricted to graduate students only.
Examines the transformation of realism from Buechner to Gerhart Hauptmann. Topics may include literary responses to the Restoration; intellectuals and the Revolution of 1848; philosophy and literature; theatrical representations of woman, family, and gender; and others. May be repeated up to 6 total credit hours when topic varies. Requisites: Restricted to graduate students only.
Beginning with T. Mann's Buddenbrooks, charts the rise of the German novel in the early 20th century and examines such topics as Wilhelminian society; intellectuals and World War I; dehumanization and alienation; national socialism and literary exile; and others. Authors include T. Mann, H. Hesse, R. Rilke, F. Kafka, A. Seghers, and A. Zweig. Requisites: Restricted to graduate students only.
Examines the period of social crisis and the intellectual responses to the collapse of the prewar order. Gives attention to the antidemocratic thought of Spengler, Juenger, Stefan George and his circle, to the emergence of existentialism with Scheler and Heidegger, and to the search for a new political humanism as evidenced by the work of Thomas Mann. Requisites: Restricted to graduate students only.
Focuses on major issues, events, movements, and figures prior to World War II. Topics may include the ontology of lyric poetry; Berlin in the 1920s; exiles, their communities, and their writings; women writers from Andreas-Salome to Anna Seghers; topics in German film; and others. May be repeated up to 6 total credit hours when topic varies. Requisites: Restricted to graduate students only.
Analyzes major currents and events such as the Holocaust, coming to terms with the past (Vergangenheitsbewaeltigung), German Democratic Republic (GDR) literature, and responses to the reunification. Topics may include the Austrians from Anschluss to Haider; Paul Celan; East German writers between Wolf Biermann and Christa Wolf; topics in German film; and others. May be repeated up to 6 total credit hours when topic varies. Requisites: Restricted to graduate students only.
Systematic study of the Faust motif in Western literature, with major emphasis on Faust I and II by Goethe and Thomas Mann's Doctor Faustus. Taught in English. Same as GRMN 4504 and COML 5504. Requisites: Restricted to graduate students only.
Focuses on cultural issues that cross lines of literary periodization. Topics may include the theater as social criticism from Lessing to Handke Requisites: forms of German protest from Luther to Thomas Mann
Examines issues pervading contemporary German literature and media, such as concerns of youth, xenophobia, stereotyping as it affects women and men in their relations, work experience, feminism, problems connected with the reunification, and other issues. Requisites: Restricted to graduate students only.
Provides an academically supervised opportunity for doctoral students to earn credit while working for public or private organizations. Students supplement their work experience through directed readings and assignments. Students interested in applying for an internship must complete the Arts & Sciences Internship Application at http://advising.colorado.edu/sites/default/files/Internshipcredit.pdf. 1-6 hours Requisites: repeatable up to 6 total credit hours.
All doctoral students must register for no fewer than 30 hours of dissertation credit as part of the requirements of the degree. For detailed information regarding doctoral dissertation credit, refer to Graduate School rules. Requisites: Restricted to graduate students only.
