Class explores the advanced practices and aesthetics of computer-based moving-image art editing. Topics include how to edit and manage a postproduction cycle, how to use digital editing systems and capabilities such as compositing, digital audio, and optical effects treatments. Cannot be taken simultaneously with FILM 3400 or 3600. Same as FILM 4000. Requisites: Requires prerequisite courses of FILM 1502, 2000 or 2300, 2500, and 3400 or 3600 (all minimum grade (D-).
Explores similarities and differences between literature and film as narrative arts. Studies novels, short stories, and plays and films made from them. Examines problems in point of view, manipulation of time, tone, structure, and setting. Same as FILM 4003. COML 5003 and ARTF 5003 are the same course. Requisites: Restricted to graduate students only.
Provides topic-centered analyses of controversial areas in film theory. Students read extensive materials in the topic area, analyze and summarize arguments as presented in the literature, write "Position" papers, and make oral presentations in which they elaborate their own arguments about specific assigned topic, establishing critical dialogue with the primary materials. May be repeated up to 6 total credit hours. Same as FILM 4004. Requisites: Requires prerequisite course of FILM 3051 (minimum grade D-). Restricted to graduate students only.
Prepares students for advanced Film Studies production courses. Subject matter varies each semester. May be repeated up to 9 total credit hours, provided the topics are different. Same as FILM 4010. Requisites: Restricted to graduate students only.
Provides interdisciplinary study of film, photography, and modernism, focusing on issues such as dystopia, alienation, sexuality, subjectivity, and self-referentiality. Photographs by Stieglitz, Strand, Weston, Evans, Cartier-Bresson, Kertesz, and Moholy-Nagy. Films by Dziga Vertov, Eisenstein, Resnais, Antonioni, Bergman, Bunuel, and Bertolucci. Recommended prereq., FILM 3051. Same as FILM 4013. Requisites: Requires prerequisite course of FILM 1502 (minimum grade D-).
Offers an intensive workshop that provides students with experience directing dramatic material, acting before a camera, and interpreting or adopting dramatic material for film. No experience in directing or acting required. Attendance, research, and papers required. Recommended prereq., FILM 1502. Same as FILM 4021. Requisites: Restricted to graduate students only.
Focuses on major international filmmakers who have had a decisive impact on world cinema. Students will learn how directors create their own innovative body of work with specific formal and thematic patterns, and will also learn to place such work within multiple frameworks that will cover film history, theory, aesthetics, philosophy, and social and cultural analysis. May be repeated up to 6 total credit hours provided topics are different. Recommended prereqs., FILM 3051 and 3061. Same as FILM 4023. Requisites: Requires prerequisite course of FILM 1502 (minimum grade D-). Restricted to graduate students only.
Focuses on a specific topic, director, or genre chosen by the professor. Research skills and critical thinking are emphasized. With faculty guidance, students determine individual projects and present them to the class. Class participation is mandatory. Each student submits a thorough and original research paper for a final grade. May be repeated up to 6 total credit hours. Recommended prereqs., FILM 3051, 3061. Same as FILM 4024. Requisites: Requires prerequisite course of FILM 1502 (minimum grade D-). Restricted to graduate students only.
Examines creative issues in contemporary cinema art. Graduate and advanced undergraduate students explore filmmaking ideas with guest artists within a seminar setting. Filmmakers, videographers and programmers of national and international reputation, with an emphasis on "Experimental" practice, interact with graduate and advanced undergraduate students, and discuss their work at seminar meetings, public lectures or events. May be repeated up to 6 total credit hours. Recommended prereqs., FILM 1502 and 4453 or instructor consent. Same as FILM 4030.
Prepares students for advanced Film Studies critical studies courses. Subject matter varies each semester. May be repeated up to 9 total credit hours, provided the topics are different. Same as FILM 4043. Requisites: Restricted to graduate students only.
Introduces professional screenwriting, in the form of a creative writing workshop. Admission by portfolio (see film department). Students write scenes and scripts for short films, feature treatments, etc., and are graded on a final portfolio. Department enforced prereq., approved writing sample. Recommended prereqs., FILM 3051 and 3061. Same as FILM 4105.
Explores techniques for the visualization of the physics of fluid flows including seeding with dyes, particles and bubbles, and shadowgraphy and schlieren. Reviews optics and fluid physics, especially atmospheric clouds. Assignments are student-driven, to individuals and mixed teams of graduate undergraduate, engineering majors and photography/video majors. Please see http://www.colorado.edu/MCEN/flowvls/. FILM 4200, ARTF 5200, MCEN 4151 and MCEN 5151 are the same course.
Traces the history and aesthetics of avant-garde/ experimental films in light of similar ideas found in the other arts, particularly painting, poetry, photography and music. Topics covered include Dadaand the early avant-garde; surrealism and psychodramas; Brakhage and abstract expressionism; feminist arts and film since the 1980s; the idea of the sublime in painting, music, and film; landscape in painting, photography, and film; post-modernism and the cinema; queer theory, gender/identity politics, and aesthetics of recent films; and specific multiple disciplinary artists such as Andy Warhol, Michael Snow,Helen Levitt, and Gunvor Nelson. Same as FILM 4453. Requisites: Requires prerequisite course of FILM 1502 (minimum grade D-). Restricted to graduate students only.
Advanced exploration of creative cinema production through short production and post-production projects. Course focuses on the tactics and strategies of independent cinema production exploring either documentary, experimental, or narrative genres. May be repeated up to 9 total credit hours. Same as FILM 4500. Requisites: Requires prerequisite course of FILM 3400 (minimum grade D-). Restricted to graduate students only.
Explores creative approaches to single camera digital cinematography through short projects, discussions, and screenings. Relates creative photography and poetic approaches to the digital camera cinema. May be repeated up to 9 total credit hours. Same as FILM 4600. Requisites: Requires prerequisite courses of FILM 2000, 3600, or ARTS 4246 or 5346 (all minimum grade D-). Restricted to Film Studies (FILM) majors only.
Seminar for the serious round table discussion and critique of film as an art form, emphasizing development of appropriate verbal and written language skills for description of film. May be repeated upto 6 total credit hours. Same as FILM 4604. Requisites: Restricted to graduate students only.
Explores advanced graduate studio work in a seminar setting. The course will focus on the development of ideas and activities which advance creative image making. May be repeated up to 12 total credit hours. Requisites: Restricted to graduate students only.
Preparation, research, writing of critical studies Master's thesis in fulfillment of concurrent BAMA in Film. May be repeated up to 6 total credit hours. Requisites: Requires prerequisite course of ARTF 5004 (minimum grade D-). Restricted to graduate students only.
