Courses

Explores the role of imagination in constructing narratives of meaning through close readings of various genres (fiction, poetry, manifesto, essay), various modes of artistic expression (art, film, photography, documentary), and essays of critical theory. Prereq., HUMN 2000 or junior/senior standing.

Offers an introduction to Modernism in various media, emphasizing in particular the historical development of the visual arts from German Expressionism and Cubism to Neo-Dada and Pop Art. Readings in literature will include Proust, Beckett, Blanchot, and poets associated with various art movements. Theoretical readings range from Saussure and Freud to Adorno and Jameson. Recommend prereq., HUMN 2000. Prerequisites: Restricted to students with 57-180 credits (Juniors or Seniors).
Analyzes the cultural and critical practices as well as the thought that defines the postmodern period at the end of twentieth century. Prereq., HUMN 2000 or junior/senior standing. HUMN 3660 and FILM 3660 are the same course. Approved for arts and sciences core curriculum: literature and the arts. Prerequisites: Restricted to students with 57-180 credits (Juniors or Seniors).

Surveys the major theoretical concepts and literary genres of the Dada and Surrealist movements. Topics include Dada performance and cabaret, the manifesto, montage, the readymade, the Surrealist novel, colonialism and the avant-garde, and literary and philosophical precursors to the avant-garde. Same as GRMN 3702. Approved for arts and sciences core curriculum: literature and the arts.

Examines early 20th century German culture, with emphasis on the Weimar Republic (1918-1933) in light of contemporaneous political discussions. The course presents modern art and literature (Expressionism, Dada, Brecht's epic theater) and architecture and design (Bauhaus, Werkbund) as well as political movements of women, sexual minorities, and Berlin's Jewish communities. Taught in English. GRMN 3802 and HUMN 3802 are the same course. Offered through CU Study Abroad Program. Approved for arts and sciences core curriculum: literature and the arts.

Surveys the major works and authors of classical Japanese literature, both poetry and prose, from the earliest historical records and literary anthologies through the Heian period (784--1185). Taught in English. Recommended prereq., JPNS 1051. Same as JPNS 3811.

Explores the influence of Greek and Roman mythology and history on various genres of music since 1600. Explains the context and meaning of ancient themes and their use by composers from the Renaissance to the present. Recommended prereq., CLAS 1100.

Surveys the major works, authors, and genres of literature from the late Meiji period and 20th century in their historical and cultural contexts. Attention is given to various approaches of literary analysis and interpretation. Taught in English. Recommended prereq., JPNS 1051. Same as JPNS 3841.

Offers an innovative approach to the multifaceted history of Christian-Muslim-Jewish interaction in the Mediterranean. It eschews established paradigms (e.g., Europe, Islamic world) that distort our understanding of these and pushes students to reconsider the accepted paradigms of Western history. Students will reappraise assumptions regarding the nature of ethnic, religious, national and cultural identity, and their role in human history.

Examines the political aspects of the art and literature of the information age, with a focus on conceptual practices since 1965. The course investigates political theories of art along side sculpture, performance, installation, poetry, and graphic design. Recommended requisite: HUMN 2000 or restricted to students with 57-180 credits (Junior or Senior).

Students gain academic credit and professional experience working in museums, galleries, arts administration, and publishing. They work 3-18 hours per week with their professional supervisor and meet regularly with a faculty advisor who determines the reading and writing requirements. Prereqs., junior standing and interview with faculty advisor.

Interdisciplinary study of literature, art, and music from 1780 to 1830 in France, England, and Germany. Prereq., HUMN 2000 or restricted to juniors/seniors.

Provides topic-centered analyses of controversial areas in film theory. Students read extensive materials in the topic area, analyze and summarize arguments as presented in the literature, write "Position" papers, and make oral presentations in which they elaborate their own arguments about specific assigned topics, establishing critical dialogue with the primary materials. May be repeated up to 6 total credit hours. Prereq., FILM 3051 or instructor consent. Restricted to senior FILM , FMST, or HUMN majors. Same as FILM 4004 and ARTF 5004.

Applies Freudian psychoanalysis to the films of Alfred Hitchcock. Students will familiarize themselves with the Freudian methodology by reading a number of books and essays and then apply both Freud's general ideas as well as specific texts to particular aspects, both formal and contentual, of his films. Particular attention will be given to the important field of "feminism and psychoanalysis" as it relates to the study of the role of women in Hitchcock's films. Restricted to juniors and seniors.

Considers the method of the humanities as opposed to those of the natural and social sciences, especially in view of their respective ability or claim to predict the future and to master chance. Prereq., HUMN 2000 or junior/senior standing. Prerequisites: Restricted to students with 57-180 credits (Juniors or Seniors).
Examines the art of travel: not where to go and what to do, but rather philosophical concepts about why people travel. Areas of discussion will include exploration, discovery, escape, pilgrimage, the grand tour, expatriotism, exile, nomadism, armchair travel, and the sense of home. Materials will include books by travel writers, novels, films, essays, short stories, art, music, and historical documents. Prereq., HUMN 2000 or junior/senior standing. Prerequisites: Restricted to students with 57-180 credits (Juniors or Seniors).

Examines the representation of people with disabilities in canonical and contemporary literature and drama, and introduces students to disability theory and the history of people with disabilities.

Explores, through guided discussions, the concept of theory itself and how a theory is constructed. Emphasizes the close reading of theory in order to learn to analyze critically, considering theory as something to be thought about rather than simply applied. Prereq., HUMN 2000 or junior/senior standing. Prerequisites: Restricted to students with 57-180 credits (Juniors or Seniors).
Interdisciplinary study of English fiction and poetry together with related movements in visual arts. Prereq., HUMN 2000 or junior/senior standing. Prerequisites: Restricted to students with 57-180 credits (Juniors or Seniors).
Students should check with the department for specific semester offerings. May be repeated up to 9 total credit hours, provided the specific offerings vary. Prereq., HUMN 2000 or junior/senior standing. Prerequisites: Restricted to students with 57-180 credits (Juniors or Seniors).
Students should check with the department for specific semester offerings. May be repeated up to 9 total credit hours, provided the specific offerings vary. Prereq., HUMN 2000 or junior/senior standing. Prerequisites: Restricted to students with 57-180 credits (Juniors or Seniors).
Examines the history and implications of the central role played by writing in pre-modern China, especially with regard to traditional constructions of the world, including relations with aesthetics, the non-human, and the spiritual. Key works of Chinese literature and thought from different periods are studied, with the aim of determining a particular type of Chinese humanism. All readings in English. Recommended prereqs., HUMN 1010 and/or 1020. Prerequisites: Restricted to students with 57-180 credits (Juniors or Seniors).

Students read in English translation the major epics of Greco-Roman antiquity such as the Iliad, Odyssey, Argonautica, Aeneid, and Metamorphoses. Topics discussed may include the nature of classical epic, its relation to the novel, and its legacy. No Greek or Latin required. Same as CLAS 4110. Approved for arts and sciences core curriculum: literature and the arts.

Examines the legacy of the historical avant-garde (1910-1930) in postwar and contemporary culture: 1945 to the present. We will study the construction of a "neo-avant-garde" in diverse fields (art, film, philosophy) as well as the methodology of "social art history" which, like the artistic neo-avant-garde, critically analyzes the relation between aesthetic production and global capitalism. Prerequisites: Requires either prerequisite course of HUMN 2000 (minimum grade D-) or restricted to students with 57-180 credits (Junior or Senior).

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