Courses

    Offers an orientation involving three-dimensional form and application. Studies expressive problems based on non-objective form relationships in various sculptural materials. May not be repeated.

    Looks at the tendency in contemporary sculpture to create interactive objects and experiences for the viewer. Students in this course are required to create hands-on projects, participate in group critiques, and develop presentations and research projects. Recommended prereq., ARTS 2504. Prereqs., ARTS 1010 and 1020.

    Focuses on the conception, design and production of art works that are larger than human scale. Each object will be the result of individual and team design collaboration. This course primarily focuses on sculpture constructed and engineered from metal although other materials are welcome. Recommended prereq., ARTS 2504. Prereqs., ARTS 1010 and 1020.

    Provides students the opportunity to work with a range of sculptural materials through a series of quick projects (e.g. installation, objects, writing). Students will learn to generate ideas quickly, engage issues and formats particular to sculpture, and produce a wide range of work over 15 weeks. Recommended prereq., ARTS 2504. Prereqs., ARTS 1010 and 1020.

    Explores and examines many relationships between sculpture and drawing. Projects will explore 2-D drawing and mixed media projects through the lens of sculptural practice. Scale, materials, and styles will be researched along with topics such as the artists proposal, investigative processes, drawing and sculptural installations. Recommended prereq., ARTS 2504. Prereqs., ARTS 1010 and 1020.

    Introduces the basic properties of metal, wood, and mold making. Students will explore and demonstrate an understanding of basic fabrication methods involved in each element. Students will investigate both traditional and non-traditional working methods and will consider how materials and techniques inform sculptural concepts. Prerequisites: Requires prerequisite courses of ARTS 1010 and 1020 (all minimum grade C-). Restricted to Studio Arts (AASA or AASF) or Art History (AAAH) majors only.
    Explores ideas concerning the structure and nature of visual thinking and their relationship to the creative thought process. Also investigates form in terms of the organizing principles of three-dimensional design and its application to contemporary sculpture. Includes lecture and studio projects. May be repeated up to 6 total credit hours. Prerequisites: Requires prerequisite courses of ARTS 1010 and 1020 (all minimum grade C-). Restricted to Studio Arts (AASA or AASF) or Art History (AAAH) majors only.

    Covers Land and Environmental Art, providing an historical survey along with hands on projects in the landscape. Focusing on themes of site, environment, landforms, weather, and earth materials, students will design and realize art projects on the land. Includes lectures, readings and discussions, writing assignments, studio projects, and visual presentations. Prereqs., ARTS 1010 and 1020. Recommended prereqs., ARTS 2504 and 2524.

    Covers social art practice, providing an historical survey along with hands on projects in social environments. Focusing on issues of public space, economic and cultural marginalization, and political causes, this course provides students a forum for expressions of social reality. Includes lectures, readings and discussions, writing assignments, studio projects and visual presentations. Prereqs., ARTS 1010 and 1020. Recommended prereqs., ARTS 2504 and 2524.

    Exposes students to the practice of creating large works through smaller multiples and modules. By learning about the practices of artists such as Andy Warhol, Joseph Beuys, Rachel Whlteread, and Robert Gober, along with many others, students will generate an understanding and appreciation for the module and multiple in contemporary art practice. Students will learn to cast using plaster and other type of molds, will be introduced to jigs as a way to streamline production of multiple objects and will work with found objects. Students in this course will be required to complete 3 projects, participate in group critiques of projects, produce a slide presentation on a contemporary artist whose work/practice fits within the theme of the course, and prepare a final portfolio. Studio work and demonstrations will be augmented by readings and discussions on contemporary art.Prereq., ARTS 1010 and 1020. Recommended prereq., ARTS 2504. Similar to ARTS 2054. Students may not receive credit for this course and ARTS 2054.

    Focuses on the production of works of art outside of the traditional studio, museum and gallery. Projects in this course will be designed to interrupt, intervene, co-opt, provide a service, exist for a defined amount of time, or engage a site, community or situation. This course will include lectures, readings and discussions, writing assignments, studio projects, and visual presentations. Recommended prereq., ARTS 2504. Prereqs., ARTS 1010 and 1020.

    Explores the many ways photography and other forms of imagery have been utilized in the field of sculpture. In this course, students will start from the sculptural, but those objects and installations will function as an intermediary to creating final work that will rest in the image. This course will include lectures, readings and discussions, writing assignments, studio projects, and visual presentations. Recommended prereqs., ARTS 2504 and 2524. Prereqs., ARTS 1010 and 1020.

    Focuses on the production of works of art in wood. Class projects explore building, bending, and burning with wood. This course primarily focuses on sculptural constructed objects although possibilities of installation, site-specific, and public art will also be explored. Recommended prereqs., ARTS 2504 and 2524. Prereqs., ARTS 1010 and 1020.

    Focuses on creating sculpture projects which are ephemeral and temporary. Themes of process, lifespan, migration, tension, entropy, and degradation will be explored. This course will include lectures, readings and discussions, writing assignments, studio projects, and visual presentations. Recommended prereqs., ARTS 2504 and 2524. Prereqs., ARTS 1010 and 1020.

    Covers both historical background and hands on projects that are collaborative in nature. Includes lectures, readings and discussions, writing assignments, studio projects and visual presentations. Prereqs., ARTS 1010 and 1020. Recommended prereqs., ARTS 2504 and 2524.

    Explores materials, methods, and techniques through a series of assignments emphasizing individual ideas and their relationship to contemporary aesthetics. Prereqs., ARTS 2504 and 2524. Prerequisites: Restricted to Studio Arts (AASA or AASF) or Art History (AAAH) majors only.
    Explores individual concepts and ideas and their relationship to contemporary issues and aesthetics. a series of assignments are worked out with the instructor based on individual interest. Prereq., ARTS 3504. Prerequisites: Restricted to Studio Arts (AASA or AASF) or Art History (AAAH) majors only.

    This course is an overview of Post-Studio art practice and covers the historical landscape of artists and projects that have pushed "beyond the studio" since 1970. Includes lectures, readings and discussions, writing assignments, studio projects and visual presentations. Prereqs., ARTS 1010 and 1020. Recommended prereqs., ARTS 2504 and 2524.

    Students in this course will learn how to develop ideas in relation to installation art, exhibition spaces, and explore practical skills to help carry out their ideas. This course will include lectures, readings and discussion, writing assignments, studio projects, and visual presentations. Recommended prereqs., ARTS 2504 and 2524. Prereqs., ARTS 1010 and 1020.

    Explores the interface of sculpture and architecture. This class will look at individuals and collectives that have become renowned for their work with experimental structures and students will have the opportunity to build hands-on experiments. Includes lectures, readings and discussions, writing assignments, studio projects and visual presentations. Prereqs., ARTS 1010 and 1020. Recommended prereqs., ARTS 2504 and 2524.

    Covers Land and Environmental Art, providing an historical survey along with hands on projects in the landscape. Focusing on themes of site, environment, landforms, weather, and earth materials, students will design and realize art projects on the land. Includes lectures, readings and discussions, writing assignments, studio projects, and visual presentations. Prereqs., ARTS 1010 and 1020. Recommended prereqs., ARTS 2504 and 2524.

    Covers social art practice, providing an historical survey along with hands on projects in social environments. Focusing on issues of public space, economic and cultural marginalization, and political causes, this course provides students a forum for expressions of social reality. Includes lectures, readings and discussions, writing assignments, studio projects and visual presentations. Prereqs., ARTS 1010 and 1020. Recommended prereqs., ARTS 2504 and 2524.

    Focuses on the two areas 1) lecture/discussion, both based on political, historical and the aesthetic evolution regarding examples of public art and 2) current practice, in reference to how to use such information to generate new more innovative and original ideas regarding public art and its application. This course will include lectures, readings and discussions, writing assignments, studio projects, and visual presentations. Prereqs., ARTS 1010 and 1020. Recommended prereqs., ARTS 2504, 2524, and 3504. Same as ARTS 5024.

    Primarily focuses upon personal imagery as a live situation occurring in either an invented constructed reality or real environment. Work may be individualor group configuration, and may also take on the visual linguistic form of a solo performance or of a multimedia presentation. Prereqs., ARTS 1010, 1020 and ARTH 1300 or 1400. May be repeated up to 6 total credit hours with instructor consent. Same as ARTS 5104. Prerequisites: Restricted to students with 57-180 credits (Juniors or Seniors).

    Introduces students to the fundamental techniques used in metalsmithing, including cold and hot fabrication techniques, forming, and coloring. Through projects, discussions, readings, and demonstrations, students will learn how to create, analyze, understand and critique contemporary metalwork. Projects will focus on design and concept development, while enhancing students' technical and problem-solving skills. Prereqs., ARTS 1010, 1020, at least one ARTS 2000-level course, and at least one ARTS 3000-level course. Same as ARTS 5154.

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