Courses

MUSC-5583 (2) The Inclusive Music Classroom

For graduate music education majors. Same as MUSC 4583. Prerequisites: Restricted to Graduate Students only.

MUSC-5608 (1) Graduate Studies in the Alexander Technique

Study of the relationship of kinesthetic perception and postural reflexes to physical coordination in performance. Analysis and research regarding Alexander's principles. Prerequisites: Restricted to College of Music graduate students only.

MUSC-5642 (3) Jazz History and Literature

Studies musical trends and cultural forces influencing jazz, with analysis of scales, improvisational styles, melodic and motivic variations, transcriptions, and orchestrations from significant periods in its history. Prereq., MUSC 3642 or instructor consent. Offered spring only.

MUSC-5666 (2) Chamber Music Literature: Woodwinds

Provides a stylistic-historical survey in various genres from Baroque era to present. May be repeated up to 12 total credit hours. Offered every other spring.

MUSC-5708 (2) Introduction to Music Bibliography and Research

Explores basic informational sources about music and musicians; a study of bibliographic forms, research, and writing techniques employed in music research papers, theses, and dissertations. Required in all master's degree programs. Prerequisites: Restricted to Graduate Students only.

MUSC-5712 (3) Renaissance Music

Provides a repertory and analysis of polyphonic music1400-1600. Same as MUSC 4712.

MUSC-5722 (1) Sight-Reading Medieval and Renaissance Music Literature

Provides an opportunity to read through, sing, play, study, and discuss ancient repertories more intensively than is normally possible in either music history lecture classes, seminars, or chamber music ensembles. Evaluation is based on active participation, out-of-class research, and final in-class group-performance projects. Recommended for graduate students in historical musicology and choral conducting. May be repeated up to 6 total credit hours.

MUSC-5742 (3) Performance Practice of Early Music

Examines instrumental and vocal performance practices through the 18th century. Topics may vary from year to year. Prerequisites: Restricted to College of Music graduate students only.

MUSC-5752 (3) Women in Music

Examines the role of women as creators and performers of Western Music. Explores related issues in musicology, including canon formation, reception history, and feminist aesthetics.

MUSC-5762 (3-4) History of Choral Literature

Provides a seminar in analysis of musical style and history of choral repertory . Those wishing review of literature and repertory may enroll for 4 credit hours.

MUSC-5772 (3) History of Opera

Examines representative operas from the 17th century. Emphasizes historical and stylistic analysis and surveys related musicological literature. Restricted to graduate students. Same as MUSC 4772.

MUSC-5802 (3) Studies in 20th Century Music

Same as MUSC 4802. Prereq., graduate standing.

MUSC-5808 (1) Advanced Alexander Technique for Graduate Students

Continues investigation of the benefits of Alexander's principles regarding mind-body awareness begun in MUSC 5608. Increased emphasis on utilizing principles in specialized activity. Analysis and research regarding musical activities. May be repeated up to 3 total credit hours. Prereq., MUSC 5608 or instructor consent.

MUSC-5812 (3) Symphonic Literature

Studies literature for orchestra, band, and other symphonic ensembles including pre-Classic, Classic, Romantic, and 20th century.

MUSC-5822 (3) Ancient and Medieval Music

Surveys sources from the ancient Greeks to the early Christian era and music from the 8th to the 15th century.

MUSC-5832 (3) Studies in American Music

Offers intensified work in folk, popular, and art music of the United States.

MUSC-5842 (3) Aesthetics of Music

Surveys various philosophies of music in writings of philosophers, psychologists, sociologists, composers, critics, and historians. May be repeated up to 12 total credit hours. Prerequisites: Restricted to Graduate Students only.

MUSC-5852 (3) 17th and Early 18th Century Music

Examines music and writings about music from the Baroque era. Emphasizes historical and stylistic analysis and current musicological literature.

MUSC-5872 (3) Late 18th and 19th Century Music

May be repeated up to 12 total credit hours. Same as MUSC 4872.

MUSC-5882 (3) Studies in 18th and 19th Century Music

Meets as a seminar and examines selected topics in Classic and Romantic music, 1750-1900. Topics vary from year to year.

MUSC-5892 (3) Latin American Music

Restricted to graduate students. Same as MUSC 4892.

MUSC-5908 (1-3) Internship in Music Business

Engage with music/music business organizations in the community (for profit or non-profit) to pursue specific tasks or projects relevant to the student's career goals. A minimum of 48 hours is required per semester for one credit. May be repeated up to 3 total credit hours. Recommended prereq., Masters standing. MUSC 4908 and 5908 are the same course. Prerequisites: Restricted to College of Music undergraduate students only.

MUSC-5968 (2) Entrepreneurial Ventures in the Arts

Previously Topics in Arts Entrepreneurship, this course prepares students to evaluate opportunities in their specific arts field by analyzing existing arts organizations and then applying entrepreneurial concepts to create new enterprises. Topics for research and discussion include current issues in the arts, introduction to entrepreneurship, preparing a business feasibility study, market information for new ventures, and funding sources. Prerequisites: Restricted to Graduate Students only.

MUSC-5988 (3) The Entrepreneurial Artist

Learn the core principles of entrepreneurship, such as idea formation, venture models, opportunity assessment, market analysis, and strategies for launching a venture, and apply them to their own entrepreneurial ideas. Lectures, projects, entrepreneur interviews, and case studies will culminate in a feasibility study for an original entrepreneurial concept. Recommended prereq., MUSC 4918. Same as MUSC 4998.

MUSC-6041 (3) Orchestration since 1940

Studies significant and distinctive orchestration techniques of the 20th century, concentrating on works written since 1940. Restricted to doctoral students.

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