Courses

Surveys the classics of international cinema from the 1960s to the present. Recommended prereq., FILM 1502. Restricted to FILM/FMST majors. Non-majors will need instructor's consent.

Intensive introduction to film history from 1895 to 1935. Topics covered include the beginnings of motion picture photography, the growth of narrative complexity from Lumiere to Griffith, American silent comedy, Soviet theories of montage, German expressionist films, and the transition to sound. Prereq., FILM 1502.

Starts with the late 1930s and early 1940s films of Renoir and Welles and follows the historical growth and evolution of film aesthetics to the present. Studies Italian neorealist, French new wave, and recent experimental films, as well as the films of major auteur figures such as Bergman, Kurosawa, Fellini, Hitchcock, Bunuel, Antonioni, and Coppola. Prereqs., FILM 1502 and 3051, or instructor consent.

Examines the relationship between politics, economics, aesthetics, and the way moral and social issues are treated in noteworthy Russian films from the last 20 years. Same as RUSS 3301.

Analyzes the cultural and critical practices as well as the thought that defines the postmodern period at the end of twentieth century. Prereq., HUMN 2000 or junior/senior standing. HUMN 3660 and FILM 3660 are the same course. Approved for arts and sciences core curriculum: literature and the arts. Prerequisites: Restricted to students with 57-180 credits (Juniors or Seniors).

May be repeated up to 6 total credit hours. Limit of 3 credit hours per semester.

Engaging with the ways in which racial, class, gender and sexual oppression intersect, this class examines several filmic productions by and about diasporic and subaltern subjects (especially children and women) in the U.S./Mexico borderlands, and the urban ethnic metropoles of the global borderlands. Prereq., ETHN 2001 or equivalent ETHN course. Same as ETHN 4001.

Offers an intensive workshop that provides students with experience directing dramatic material, acting before a camera, and interpreting or adopting dramatic material for film. No experience in directing or acting required. Attendance, research, and papers required. Recommended prereq., FILM 1502. Same as ARTF 5021.