Courses

Consists of consultations with faculty on individual studio problems and projects. May be repeated up to 6 total credit hours. Prereqs., junior standing and instructor consent. Prerequisites: Restricted to students with 57-180 credits (Junior or Senior).

Studies critical issues raised in the literature on art, focusing on Renaissance interpretations of key historical themes such as imitation and decorum. Carefully examines the language used in primary sources (available in English). Prereq., one 3000-level art history course.

Addresses how artists developed new compositional procedures, graphic techniques, and audiences, and how these procedures were theorized in an age when artists' intellectual and social status rose dramatically. Explores reception of new graphic technology. Studies specific commissions and primary texts in depth. Prereq., one 3000-level art history course. Same as ARTH 5749.

Surveys 17th century European painting, sculpture, and architecture, along with a critical study of artistic theory, artistic institutions (such as the Academiadi San Luca and the Academie Royal), and the concept of the term baroque. Prereq., one 3000-level art history course. Same as ARTH 5759. Approved for arts and sciences core curriculum: literature and the arts.

Examines 15th and 16th century European ideas about women from a variety of feminist perspectives. Focuses on recent contributions to history of women as they intersect with the visual arts. Prereq., one 3000-level art history course. Same as ARTH 5769 and WMST 4769. Approved for arts and sciences core curriculum: human diversity.

Reflects upon the question: In what sense were the regional variants of European devotional images the effects of meaningful cultural interaction? Evidence considered includes oral traditions, pueblo pottery, and painting, emphasizing interpretations that respect rights of communities to maintain privacy. Prereqs., ARTH 1300, 1400, and one 3000-level art history course. Same as ARTH 5779.

Examines Chicano art world, focusing on contemporary scene. Lecture/discussion/dialogue explored through readings and visual presentations including: video, guest lecturers, and visits to local spaces. Prereq., any 3000-level art history course or instructor consent.

May be repeated up to 7 total credit hours.

Seminar course dealing with selected areas or problems within the history of art. Consult current online Schedule Planner for seminar topic. May be repeated up to 7 total credit hours. Prereq., instructor consent. Restricted to Art History Majors only. Prerequisites: Restricted to Art History (AAAH) majors only.

May be repeated up to 18 total credit hours when topic varies. Same as ARTH 5929.

Focuses on opportunities at the Denver Art Museum, working with individual curators and master teachers in selected areas, such as audience interpretation, interpretive research files, and public school curriculums. Introduces students to the professional culture and activities of art museums. May be repeated up to 6 total credit hours. Prereqs., ARTH 1300 and 1400. Same as ARTH 5939.

May be elected during the final semester. Consists of a substantial, original written thesis. Requires faculty sponsorship. Does not guarantee a student will receive honors.

Class explores the advanced practices and aesthetics of computer-based moving-image art editing. Topics include how to edit and manage a postproduction cycle, how to use digital editing systems and capabilities such as compositing, digital audio, and optical effects treatments. Prereqs., FILM 1502,2000 or 2300, 2500, and 3400 or 3600, or instructor consent. Cannot be taken simultaneously with FILM 3400 or 3600. Same as FILM 4000.

Explores similarities and differences between literature and film as narrative arts. Studies several novels, short stories, and plays and films made from them. Examines problems in point of view, manipulation of time, tone, structure, and setting. Same as FILM 4003. COML 5003 and ARTF 5003 are the same course. Prerequisites: Restricted to Graduate Students only.

Provides topic-centered analyses of controversial areas in film theory. Students read extensive materials in the topic area, analyze and summarize arguments as presented in the literature, write "Position" papers, and make oral presentations in which they elaborate their own arguments about specific assigned topic, establishing critical dialogue with the primary materials. May be repeated up to 6 total credit hours. Prereq., FILM 3051 or instructor consent. Restricted to senior FILM, FMST, or HUMN majors. Same as FILM 4004. Prerequisites: Restricted to Graduate Students only.

Prepares students for advanced Film Studies production courses. Subject matter varies each semester. May be repeated up to 9 total credit hours, provided the topics are different. Same as FILM 4010. Prerequisites: Restricted to Graduate Students only.

Provides interdisciplinary study of film, photography, and modernism, focusing on issues such as dystopia, alienation, sexuality, subjectivity, and self-referentiality. Photographs by Stieglitz, Strand, Weston, Evans, Cartier-Bresson, Kertesz, and Moholy-Nagy. Films by Dziga-Vertov, Eisenstein, Resnais, Antonioni, Bergman, Bunuel, and Bertolucci. Prereq., FILM 1502. Recommended prereq., FILM 3051. Same as FILM 4013.

May be repeated up to 6 total credit hours. Same as ARTS 4017. Prerequisites: Restricted to Graduate Students only.

Offers an intensive workshop that provides students with experience directing dramatic material, acting before a camera, and interpreting or adopting dramatic material for film. No experience in directing or acting required. Attendance, research, and papers required. Recommended prereq., FILM 1502. Same as FILM 4021. Prerequisites: Restricted to Graduate Students only.

Focuses on major international filmmakers who have had a decisive impact on world cinema. Students will learn how directors create their own innovative body of work with specific formal and thematic patterns, and will also learn to place such work within multiple frameworks that will cover film history, theory, aesthetics, philosophy, and social and cultural analysis. May be repeated up to 6 total credit hours provided topics are different. Prereq., FILM 1502. Recommended prereqs., FILM 3051 and 3061. Same as FILM 4023. Prerequisites: Restricted to Graduate Students only.

Focuses on a specific topic, director, or genre chosen by the professor. Research skills and critical thinking are emphasized. With faculty guidance, students determine individual projects and present them to the class. Class participation is mandatory. Each student submits a thorough and original research paper for a final grade. May be repeated up to 6 total credit hours. Prereq., FILM 1502. Recommended prereqs., FILM 3051, 3061. Same as FILM 4024. Prerequisites: Restricted to Graduate Students only.

Examines creative issues in contemporary cinema art. Graduate and advanced undergraduate students explore filmmaking ideas with guest artists within a seminar setting. Filmmakers, videographers and programmers of national and international reputation, with an emphasis on "Experimental" practice, interact with graduate and advanced undergraduate students, and discuss their work at seminar meetings, public lectures or events. May be repeated up to 6 total credit hours. Recommended prereqs., FILM 1502 and 4453 or instructor consent. Same as FILM 4030.

Prepares students for advanced Film Studies critical studies courses. Subject matter varies each semester. May be repeated up to 9 total credit hours, provided the topics are different. Same as FILM 4043. Prerequisites: Restricted to Graduate Students only.

May be repeated up to 18 total credit hours. Prerequisites: Restricted to Graduate Students only.

Same as ARTS 4087. Prerequisites: Restricted to Graduate Students only.